
LJ Marsh
NON-FICTION
Possession
Craiglist advert, August 2021:
“Piano (free, not haunted, pickup only)
Free piano (you pick it up). Lester circa 1966. Lutz area. Not possessed or haunted in any way. Tuned less than 24 months ago; played by human hands ~6 minutes since. Not a player piano – does not play by itself. Comes with bench. Has wheels. Please take this out of my home.”
This gem might have gone unnoticed if sports journalist and piano enthusiast Timothy Burke had not retweeted the advert to his 100,000+ followers, commenting “i’m sorry what”. When Burke responded to the ad expressing interest, the seller doubled down: “…I assure you it is not haunted (to the best of my knowledge)”. Sadly there were no further updates as the definitely-not-haunted piano went to another interested ghost-hunter.
Much of this advert is perfectly reasonable: the make, year, location, price, accessories. But as for the rest – I’m sorry, what?
“Not possessed or haunted in any way”
“…played by human hands ~6 mins”
“…does not play by itself”
My conclusion: the piano is definitely haunted (or possessed), has been played by inhuman hands, and independently strikes up a tune without mechanical aid. Of course I have no basis for this other than a) the advertiser’s protestations, b) cynicism, and c) the plea: “Please take this out of my home”.
However, there is one more reason I am erring on the side of the supernatural. In 1989, my grandmother sold her piano despite having purchased it only three years’ prior. She made a loss selling to a dealer, but no matter – it had to go and go quickly, no questions asked.
It was haunted.
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Our story begins in 1986, when my grandmother saw a piano advertised for sale in the local paper. She had played as a child but like many youngsters was not that keen on practising and gave up quite quickly. However, I (aged five) had recently started lessons and Nan decided to try again, with visions of us duetting.
The advertised instrument was located a few miles away, and the seller, a Mrs Pat Cook, explained that it been in her family for over twenty years. However, as her daughter Sian no longer played due to an accident, the piano had been consigned to the garage, its pretty oak case increasingly swallowed by dust and cobwebs.
I do not know exactly what Nan paid Mrs Cook, but it was not a lot. Trying it out for the first time, the former ship’s piano played beautifully, with a soft but full-bodied tone. Nan was delighted and I loved it too - it couldn’t have been more different to the full-sized upright that occupied my parents’ study. That beast towered above my five-year-old self, its black-brown sheen glowering from the corner. Yellowing ivory pock-marked keys were rough, and the heavy action hard on small fingers. Nan’s new instrument was the antithesis – only a little taller than me, with smooth, biddable keys and cottage-cosy beading in a soft honey brown, matching my hair.
Nan duly signed up for lessons with my teacher, and we were soon bashing out simple duets, me on the right-sided primo line, her with the secondo’s accompanying oom-pah. Duetting developed into singsongs, pub standards from Nan’s youth – Paper Doll, My Old Dutch – and the occasional foray into such comedy classics as Tie Me Kangaroo Down, Sport. I thought it wonderful, and I think she did too – we had our own mini club.
Then strange things began to happen.
But to appreciate what comes next, I should properly introduce my grandmother. Variously known as Janet, Mum or Nan(a) depending on your relationship, she was born in the early 1930s to working-class parents in an English railway town. Leaving school at 14 with no formal qualifications, she held down a series of very sensible jobs over the years - doctor’s receptionist, NHS data-entry clerk – and as de facto head of the household was firmly in charge of the family budget, and even more firmly in charge of the children.
All this to say that Nan was not given to whimsical notions or fantastical thoughts, nor had she any experience with so much as a tarot card reading let alone supernatural events – until it happened. A three-year saga that impacted her deeply; so deeply that she – not usually a writer – committed the experience to paper. It begins:
“I can’t remember when it first started, I think it was 1986. I had been aware of a strange smell in the house whenever I came indoors, but had not taken a lot of notice of it. Also, whenever I was playing the piano, a shadow used to appear just inside the doorway of the sitting room. I used to think it was my husband, Peter, standing there not wanting to disturb me. The bedroom door never seemed to be ajar in the same place in the morning as it was when I went to bed the night before…”
A little perturbing perhaps, but my granddad experienced nothing strange and so Nan dismissed what she felt may have been imagined. However, after just a few months, events took a turn.
“The smell of perfume became even more frequent and stronger. The sitting room always seemed warm and slightly stuffy and I was beginning to feel uneasy. This was partly due to the fact that one of our granddaughters, then aged about two years old, had come to spend the night with us. She had gone to bed quite happily… but when I went upstairs to see her I found her in tears saying she wanted to go home.”
This was my cousin Samantha, five years younger than me and about as different in temperament as is possible. Where my overactive imagination conjured plays, stories and songs with at least three imaginary friends, Sam was, even at a young age, reasonable and considered, not at all prone to dramatics. So when the reason for her upset was revealed a few weeks later, it was all the more remarkable.
Sam was frightened of the big grey lady sat on the end of her bed.
From that moment, as if a doorway had been opened, the incidents became more frequent and more intense. Shortly after Sam’s encounter, my brother James, also a level-headed child, refused to go upstairs in my grandparents’ house because “there’s a witch up there”. He too refused to stay overnight.
Although neither Sam nor James remember these incidents clearly forty years on, their parents certainly do. Collecting these family memories over 30 years later, I tried to piece together my own fragmented remembrances. I could not recall any strange or unnatural events, no apparitions or shadows in doorways, weird odours or temperature changes. That was until a sudden jolt from my subconscious one February morning: a flashback to the summer of 1988. Aware of my sometimes overactive imagination and imperfect memory I was tempted to dismiss the recollection as ludicrous, but it remained in the back of my mind, nagging and insistent. Finally giving in and dredging up the details there were two things I felt sure about: that only Nan and I were present that particular afternoon, and that we were a few minutes into one of our quaint jam sessions.
And then the realisation: I had proof. Proof that was buried somewhere in a box of miscellaneous ‘80s paraphernalia.
You see, from our earliest childhood, my grandparents periodically recorded performances of the grandchildrens’ party pieces – singing, reciting poetry, playing instruments with varying degrees of accuracy. And I thought I remembered the stereo coming out of the cupboard that afternoon, probably taping over one of my granddad’s Johnny Mathis albums, but capturing everything.
Rummaging through a scruffy cardboard box labelled ‘Old Stuff’, I dug out my copy of the tape, slotting it into a battered cassette player. A brief battle with the fast-forward button, and there it was: a well-rehearsed rendition of My Old Dutch; my clear seven-year-old soprano and Nan’s slightly wayward playing. I waited, subconsciously holding my breath, for the line “We’ve been together now for forty years”.
“We’ve-”
*CLANG*
[Silence]
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My memory was not entirely correct. There they were: discordant low-register notes mashing together in an almighty clang as the hammers bashed against the left-hand strings. Nan’s fingers, playing the melody, were nowhere near those keys.
Google “haunted piano” and within seconds you’re buried under 12,000,000 creepy keyboard tales. Piano World user LoghouseTeacher’s “terrifyingly loud sound of something strumming the strings” is backed up by equally eerie stories on Reddit and Quora. But back in the late ‘80s there were no discussion boards or Facebook ghost-victim groups to consult.
A family friend who fancied himself a mystic of sorts volunteered to investigate, grilling Nan for a full half hour, his unfeasibly black eyes fixed on hers in a hypnotic stare. Post-interrogation and an hours’ wander around the house, he declared there to be a mischievous spirit present which the grey lady upstairs was trying to hold back. Unfortunately – unsurprisingly – his consultation with the spirits yielded little. My mother suggested the church could be of some help as Nan was a committed parishioner, though Protestant rather than ghostbusting Catholic. The local vicar, Rev. Adrian, visited Nan (possibly in deference to her excellent attendance record), but assumed his standard attitude of condescension bordering on arrogance. He confirmed that exorcising haunted pianos did not fall within his remit, but kindly offered to pray for her deliverance.
Perhaps the vicar’s presence did chasten the supernatural element however, as in the ensuing weeks things seemed to calm down. Although the perfume aroma was occasionally present, there were no more looming shadows or temperature changes for almost a year. By 1989 the two youngest grandchildren – not born when all this started – began visiting our grandparents regularly, happily staying for sleepovers. But the presence of young children once again triggered something paranormal, a presence we thought was gone.
The grey lady returned.
My cousin Suzanne saw her first: “I remember walking up the stairs one day and seeing a lady sat on the bed. As I turned the corner onto the landing, she was waving and smiling at me. She had a grey bun and was wearing an apron.” My brother Joseph, a few months younger, reported an “’normous lady” and the sound of heavy breathing after dark. Neither child knew of the previous encounters.
And as before, the grey lady brought something else with her, something menacing. Almost immediately the perfume fug grew heavier, the shadows loomed more frequently, shortly followed by Nan’s most frightening episode thus far:
“One evening while I was playing the piano alone in the house, I felt someone or something take over my hands. I was playing so fast, I felt terrified.”
So terrified that, as soon as the ‘something’ released her hands, Nan fled, practically running the quarter mile to her son’s house, and begging him to investigate. His inspection found nothing untoward – no perfume smell, shadows or stuffy room. But as soon as Nan was alone in the house it all began again, only this time the dining room’s temperature plummeted as if a blizzard had crashed through the door.
The mystic arts and church had come up short, but there might be one other person who could help. Nan still had the phone number for Pat Cook, the woman from whom she had bought the piano back in 1986. On calling it was Susan, Pat’s daughter-in-law, who answered the phone and to whom Nan shared her ordeal. Susan did not offer an opinion but passed on her mother-in-law’s new number – she had retired to Wales.
Although sympathetic, disappointingly Pat could shed no light nor offer any explanation. In a lengthy letter dated 20th September 1989, she confirmed:
“We could not have had a haunted piano for 20 years, five people playing it at different times… Apart from any other consideration, I am very sensitive to atmosphere or anything unusual, and had there been any manifestations about during the time any of us played it, I would certainly have known.”
A former languages teacher, there was something of Miss Jean Brodie in Pat’s no-nonsense tone, and Nan was convinced. Aside from the firm instruction to never consult a Ouija board (“…they are a menace”) and another promise of prayers, Pat was unable to offer any solution.
Nan was still convinced, however, that the piano was the cause of the increasingly disturbing events, so with no obvious recourse it had to go. Swiftly part-exchanged with a local dealer for a more modern instrument, the change was immediate. No more perfume scent, no shadows, no stuffy or freezing dining room. Nan felt free; free to play without fear, free to have the grandchildren to stay with no ghostly visitations. And as the years passed, so too the events passed into family lore. The piano was gone, the story was over.
Or so we thought.
In September 1999, a letter arrived from Wales. Dated 20th September, exactly ten years after her first correspondence: Pat Cook had written again. She began:
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“You may be surprised to hear from me after all this time, but an investigation is being done on the Internet by my godson, concerning ‘that piano’.”
Ten years earlier, Pat had been adamant there was nothing untoward, but now:
“When you first rang, and my daughter-in-law Susan answered the phone, she knew at once that what you were saying was the truth, but she had been too terrified to speak to anyone about it.”
What followed was a chilling tale that made our family’s experiences seem cosy. Latterly, the piano had been stored in the Cook family’s garage, gathering cobwebs. Knowing it was to be sold, Susan swept a duster across its lid.
“Immediately, she felt ‘turned to stone’, freezing cold, she felt someone standing behind her, there was a peculiar smell, and the whole place was like a deep freeze; a blue mist was rising up all over the garage to waist level, hiding my son’s car. She all but died of fright.”
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Just as Nan had felt a force take over her hands, so too Susan was unable to move. After what must have felt like hours, though was probably only a few minutes, she broke free and locked herself in the bathroom until her husband returned from work. Susan refused to enter the garage again until the piano was sold but did not explain why until over ten years later. However, Pat’s story did not end there.
We knew that the piano had belonged to her daughter Sian, who took it with her on moving out in her early twenties. Almost immediately, she “started having problems of a psychological nature”, but like Susan did not share this with the family. Why not I don’t know – perhaps she felt it was all imagined just as Nan did.
What happened next is both terrifying and tragic.
“Alone in the house, [Sian] had played on her piano and that evil spirit had appeared. Terrified, she had rushed upstairs like Susan, to lock herself in the bathroom, but had not reached it – she blacked-out at the top of the stairs, fell down them, cracked her head at the bottom, and lay unconscious & bleeding.”
Sian was rushed to Southampton General Hospital with severe bleeding on the brain. She could neither walk nor talk when she emerged from a coma eight days later, and the family were informed she would not recover. The doctor’s advice to Pat was blunt: “Go home, Mrs Cook, and forget you have a daughter, she will be a vegetable all her life”. Sian’s husband initiated divorce proceedings two days later.
The day after Sian’s fall, her brother Andrew visited, accompanied by his wife, Jean, to whom he had been married for eight months. Within seconds of arriving, Jean bolted from Sian’s hospital room. She walked out on the marriage that afternoon with no explanation, and they too divorced soon after. Pat’s husband, already suffering from lung cancer, succumbed to his illness the following week.
Re-reading this September 1999 letter reawakens my memories of Nan’s reaction to the incidents Pat described. A mixture of deep sympathy for what the Cook family endured and shock at the level of trauma, but also a vindication that eluded her ten years prior. I vividly remember our conversation shortly after she received the letter, reading key passages down the phone, mixed emotions hustling to be heard.
Mercifully, the Cooks’ lives improved. Andrew met and married Susan and they settled into the old family home in Hampshire. Pat, now in her early 80s, was enjoying retirement in Wales. Although Sian spent ten years in Park Pruitt psychiatric hospital, she eventually made a full recovery, and remarried. After Susan’s revelations, Sian finally opened up about her own experience, describing the phenomena leading up to her fall, including strange smells, changes in temperature, and shadows in doorways.
Nan and Pat continued to correspond until the latter’s death in 2005, Nan following in 2018. Both women died absolutely convinced that the piano was haunted or possessed by an evil spirit. Forty years on, the rest of my family is divided. Half firmly believe something otherworldly was present within or around the piano; the other half operate on a sliding scale from ‘maybe’ to ‘don’t be ridiculous there’s no such thing as ghosts’.
As for me, I’m leaning towards the supernatural. After all, as Hamlet says, there are more things in heaven and earth than we can dream of. Aren’t there?


Sept 2026